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Cake day: December 27th, 2025

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  • The no arguing thing is key. Everyone eventually finds a topic that they don’t agree on, because politics, in the greek philosophy (aristotle based) sense of the word (I actually loved nicomachean ethics), is about the pursuit of the good life writ large. The chances of two people believing in the exact same life goals is almost zero, so there will be a fundamental disagreement at some point that, because we are talking about using governmental authority as a cudgel (in the modern sense of the word politics) to bring about a ‘good life’ for society, will cause a lot of friction.

    In environments where we can’t control who we interact with, and that are semi-public with an ‘audience,’ such as work and family dinners, it’s just easier to say no politics and focus on the agreed areas of shared interests. Otherwise those little frictions can build into socially driven, highly charged arguments.

    Keep political discussions to where everyone can easily walk away, where it’s one-on-one, or where everybody comes wanting to talk politics, and things are fine.


  • On the flip side, I’ve seen people blow up at one another over a political divide - even a purely rhetorical one (arguing whether Dark Elves or Orcs are a racist trope, complaining about the implications of Monopoly or Catan, getting on a high horse about a popular movie or song). The debate over whether “Let It Snow” condones date rape is a popular college age struggle session.

    Oh my god! Yes, you can look at orcs and goblins as racist tropes and stand ins, and those can be fun campaigns to run and explore alternative takes and deep reflective moments, but sometimes it’s just easier to say the group wants a kick-in-the-door style dungeon crawl and the enemies are evil.

    Also, wasn’t the debate over ‘baby, it’s cold outside,’ not ‘let it snow?’




  • Full time critics must be weird to talk with for any length of time. I know my own work bleeds into my perceptions and interests, and can’t help but think that critics have their judging hats on for routine, everyday affairs. Imagine your partner sitting in the passenger seat, idly commenting on the lighting of a city park as you drive past (I don’t have to imagine, lol, because my partner does amateur film work as a side gig and he loves to talk about his cameras).


  • I believe there’s a copypasta/good comment floating around out there from the reddit days that details everything that has been referenced about the godfather films, and so, if you watch many movies that are popular or considered good, you’ve already seen almost everything that stands out in the godfather films. Throw in the great many improvements in cameras, acting methods/filming techniques, and the ‘drift’ that means one generation prefers certain tropes/themes/scenes/actions over others, and of course an older film is going to be less entertaining for us.